1918-1932: The Great Rebel Filmmakers Around the World
Information taken from wikipedia
- The Thief of Bagdad (1924) (introduced in Episode 2) dir. Raoul Walsh
- films used soft lighting and fancy makeup
- The Passion of Joan of Arc (1928) (introduced in Episode 2) dir. Carl Theodor Dreyer
- Robert and Bertram (1915) dir. Max Mack
- The Oyster Princess (1919) dir. Ernst Lubitsch
- shows the directors mocking tone by having a business man surrounded by people below him and smokes a overly fat cigar
- The Mountain Cat (1921) dir. Ernst Lubitsch
- The Marriage Circle (1924) dir. Ernst Lubitsch
- American censor ship made it so that lubitsch had to be creative when showing certain things in films
- La Roue (1923) dir. Abel Gance
- has scenes fly by so that we get a human impression similar to how we see them in real life
- Napoléon (1927) dir. Abel Gance
- Gance had a fur covered sponge on the camera so that actors could punch right at it without getting hurt
- he mounted a camera on a horse to capture kinetic energy
- The Cabinet of Dr. Caligari (1920) dir. Robert Wiene
- was one of the biggest expressionist
- flooded their set with flat light and painted shadows on the floor or wall
- The Tell-Tale Heart (1928) dir. Charles Klein
- The Lodger (1927) dir. Alfred Hitchcock
- A Page of Madness (1926) dir. Teinosuke Kinugasa
- the editing and imagery seem psychotic too making it go deeper than The Cabinet of Dr. Caligari
- Metropolis (1927) dir. Fritz Lang
- The Crowd (1928) (introduced in Episode 2) dir. King Vidor
- has expressionist elements inspired by metropolis
- Sunrise: A Song of Two Humans (1927) dir. F. W. Murnau
- Opus 1 (1921) dir. Walter Ruttmann
- Entr’acte (1924) dir. René Clair
- put the camera in places that could only be dreamed of before
- Rien que les heures (1926) dir. Alberto Cavalcanti
- Spellbound (1945) dir. Alfred Hitchcock
- Un Chien Andalou (1929) dir. Luis Buñuel
- Blue Velvet (1986) dir. David Lynch
- L’Age d’Or (1930) dir. Luis Buñuel
- Kino-Pravda n. 19 (1924) dir. Dziga Vertov
- Glumov’s Diary (1923) dir. Sergei Eisenstein
- Battleship Potemkin (1925) dir. Sergei Eisenstein
- The Untouchables (1987) dir. Brian De Palma
- Arsenal (1929) dir. Alexander Dovzhenko
- set in a complex time
- film was called deeply complex
- Earth (1930) dir. Alexander Dovzhenko
- I Was Born, But… (1932) dir. Yasujirō Ozu
- Tokyo Story (1953) dir. Yasujirō Ozu
- Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975) dir. Chantal Akerman
- The Record of a Tenement Gentleman (1947) (introduced in Episode 1) dir. Yasujirō Ozu
- Osaka Elegy (1936) dir. Kenji Mizoguchi
- Citizen Kane (1941) (introduced in Episode 2) dir. Orson Welles
- Chikamatsu Monogatari (1954) dir. Kenji Mizoguchi
- Mildred Pierce (1945) dir. Michael Curtiz
- Romance of the West Chamber (1927) dir. Hou Yao and Minwei Li
- Scenes of City Life (1935) dir. Yuan Muzhi
- The Goddess (1934) dir. Wu Yonggang
- Center Stage (1991) dir. Stanley Kwan
- New Women (1935) dir. Cai Chusheng