Information taken from Wikipedia
The 1980s: Moviemaking and Protest – Around the World.
- The Horse Thief (1988) dir. Tian Zhuangzhuang
- this film spoke truth to power because it dealt with a very unbiased subject
- Yellow Earth (1985) dir. Chen Kaige
- Raise the Red Lantern (1991) dir. Zhang Yimou
- House of Flying Daggers (2004) dir. Zhang Yimou
- Repentance (1984) dir. Tengiz Abuladze
- this film tells a very serious story of a dictator but in a comical matter
- Arsenal (1929) (introduced in Episode 3) dir. Alexander Dovzhenko
- Come and See (1985) dir. Elem Klimov
- the camera in this film follows the victims of the film like its the thing haunting them
- Long Goodbyes (1971) dir. Kira Muratova
- the film has a mother and son often look away from each other as if it’s trying to show how they oppose each other’s views
- A Short Film About Killing (1988) dir. Krzysztof Kieślowski
- Psycho (1960) (introduced in Episode 8) dir. Alfred Hitchcock
- Wend Kuuni (1983) dir. Gaston Kaboré
- the camera follows the character with a long lens in order to show just how alone the character is
- Yeelen (1987) dir. Souleymane Cissé
- although the film is not a western the camera moves around its characters like an old western shootout
- Video Killed the Radio Star (1979) (music video) dir. Russell Mulcahy
- Flashdance (1983) dir. Adrian Lyne
- Top Gun (1986) dir. Tony Scott
- Blue Velvet (1986) (introduced in Episode 3) dir. David Lynch
- this film depicts the American dream in slow motion almost as if it is trying to say it’s not real
- The Elephant Man (1980) dir. David Lynch
- the look of the deformed characters face in this film was based on natural shapes such as the blooms of smoke from the eruption of mount saint Helens
- Do the Right Thing (1989) dir. Spike Lee
- the film used bright colors and tilted cameras to show an imbalance in the story
- The Third Man (1949) dir. Carol Reed (introduced in Episode 5)
- Return of the Secaucus 7 (1980) dir. John Sayles
- Subway (1985) dir. Luc Besson
- this movie films a man stealing a handbag as if it was a car chase with fast-moving cameras and low angels
- Les Amants du Pont-Neuf (1991) dir. Leos Carax
- An American in Paris (1951) dir. Vincente Minnelli (introduced in Episode 5)
- Labyrinth of Passion (1982) dir. Pedro Almodóvar
- this film reflected the time it was made in with the color of its lighting be vibrant and less natural
- A Hard Day’s Night (1964) (introduced in Episode 8) dir. Richard Lester
- The Quince Tree Sun (1992) dir. Víctor Erice
- My Beautiful Laundrette (1985) dir. Stephen Frears
- this film uses high-level shots in the scenes where the characters dance like it was a musical
- My Childhood (1972) dir. Bill Douglas
- this film shows how the reality of the world of the character by showing them far back and in the dark in every scene
- Gregory’s Girl (1981) dir. Bill Forsyth
- Distant Voices, Still Lives (1988) dir. Terence Davies
- the director of this film often reflects his own painful childhood though he was and it was often referred to as a truly cinematic way to speak truth to power
- Intolerance (1916) dir. D. W. Griffith (introduced in Episode 1)
- the director of this films seems to be mocking the symmetry that he so often put in his films
- Young at Heart (1954) dir. Gordon Douglas
- this film uses many hot colors in its environments suggesting a sense of anger that is meant to be felt throughout the film
- A Zed & Two Noughts (1986) dir. Peter Greenaway
- The Last of England (1988) dir. Derek Jarman
- Videodrome (1983) dir. David Cronenberg
- Crash (1996) dir. David Cronenberg
- this film often focuses on the moment by making its scenes very silent and peaceful.
- Neighbours (1952) dir. Norman McLaren
- Jesus of Montreal (1989) dir. Denys Arcand